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Profil de Nadine Cesari

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"According to the concepts of civilization occitane, Peace Love and defend against the encroachments of the Force is to invent the real Europe"
Félix Castan

RECORD VIRGIN SONGS , 2O avril au 3 mai , Jacky Micaelli and U Ponticellu , couvent de Corbara ,Corse,
TRANSMISSION AND TRADITION ... ... .... THE WAY U PONTICELLU

"When I sang in Japan, there is ... .. 20 years, I could not put words clear about what I was contacted about this purpose which is mine now, in song and in the transmission ..., "Jacky Micaelli makes a finding that U Ponticellu door in his ethics and practice.

The tradition is not only what existed then and should be retained unchanged. It is a legacy, a legacy to collect, carry, keep and maintain but also grow in the renewing, to build a bridge between past and present: This extends the past, the past lives in this prepares the future and for the future past and present become the past.
Recreates a tradition not treated appropriate to each era is a dead tradition. The transmission is a living tradition: it requires an update, something creative. This contribution will have to respect the spirit of tradition, which spirit is an absolute that transcends time. By appropriating the tradition, its tradition, the disciple took place in a long chain which is a ring from a bunch of before and after him. Traditional music, ie oral, contain a sap coming from the depths of time, only the floor, the sound, so the oral culture, communicate the spiritual essence. It preserves the living, moving from tradition. Initiation through which it transmits requires direct contact from person to person so that the spiritual influence is inseparable from any initiation.
The tradition is first memory, our roots are strong, our center of gravity. What are we without the memory of our origins? The man is condemned to spiritual death if he cut the link of tradition, tradition. The music holds it to his memory. These are the musical traditions, she lives in and through the oral tradition.

The journey of Corsican polyphony and 'STELLA MATUTINA' passes through the Gregorian chant. This one fits the elements and primordial archetypes that underlie all the world music and voice are as much a single 'Song of humanity'. The archaic, positively valued, is not the old or ancient seen as obsolete, far away. It means that in the former is the original, which escaped the destructive influence of time and exists in a perpetual present. The archaic principiel returns at the beginning, eternal, beyond time.
The values of the original, the archaic, are not present at one time than another. They inspire new creations. 'The archaic part of anthropology which aims at a comprehensive understanding of humans' according to Claude Levi Strauss. Each tradition provides to men belonging to that culture, such time, a mirror where they can print out a living reflection of their being essential, because they have in them the imprint of this tradition, and that each tradition is a true image Human eternal. It is tradition within the man, in his spiritual being. This transmission of knowledge is other than the initiation updating knowledge that has to be virtually. The initiation is thus the assumption of the tradition itself, and goes beyond the tradition it transmits. Thus it is of Gregorian chant that launches its deepest roots in the "Song of humanity" and the archetypes of music.

Archaism can be across all roles and masks of appearance because it allows the expression of a primordial tradition:
"The center of the world, that elusive place where traditions are born, where converge or from which everything that is the traditionalité"

Tradition calls to take a new look at modernity as rethinking the values of tradition and the archaic, and legitimate rethinking modernity. The real modern challenge to keep the past in the name of a blind rush forward.
Thus the Gregorian Corsican polyphony takes the melody, pure vocal, singing. The voice outside the body and blast through the lungs reverberates. The singer performs a vital act. The act of singing creates an intimate relationship with the vocal organ through which emotions, affectivity s'extériorisent spontaneously through the sound of a song as simple or as complicated as too full of himself aspires to emerge us. It is not Ego, and we can take the example of riucade or in melismas Corsican polyphony. Jacky Micaelli explained in all its stages it is dangerous to sanitize the practice of this tradition under threat of losing the meaning, the soul, because in the sacred as profane the riucade are often an expression of strong emotions related to the history of this song. We can express the 'pietoso' in grief or sorrow of love lost, but it may also be tired of working hard, animals like humans.
When it modulates its voice, the man emits a sound reflection of his own being.
Corsican polyphony, like all traditional songs, harmonizing voices and body so that the song sounds with full power. It is less singing "beautiful" than singing "true". A traditional singer uses his voice as a means, not an end in itself. It is therefore necessary in the transmission to go through a rediscovery of the traditional vocal, the anchor body of the voice and the spiritual significance of that act.
Sing with her body, means finding a primal force that will become potential music, original core of any melody.

Chair Nadine Cesari
- With the excellent lighting by J. Viret on Tradition



Nadine 0671863446 U Cesari Ponticellu (Corsica) The Court of Miracles in OC '(Marseille) Gateway Corsica - Occitanie (for extension) "According to the concepts of civilization occitane, Peace Love and defend against the encroachments of the Force invent is the real Europe "Félix Castan

JACKY MICAELLI
CHANTEUSE CORSICAN

"Sing! it's vital. A Gift "


Jacky Micaelli was born in Bastia. "I sang before speaking. I did not choose, so "she confides.

It was in 1986 that really began his career with the price of the singing competition on Radio France, the publication of the first 45 laps, and the first representation, Corbara, the work of Perti "Gesù al sepolcro" which shows the immense talent of Jacky. His interpretation of the oratorio in places that are famous La Fenice in Venice (1988), the basilica of Lourdes (1989), La Scala in Milan (1990) or at the Festival de la Chaise-Dieu (1992) gives a Jacky international dimension.



In 1988, it represents the CORSICAN Printemps de Bourges, where she wins the listeners of Radio France. Trophy Radio France of the French Young song Périgueux, she won a "Platinum Truffle. That same year Jacky is at the Opera Bastille and the Festival de Lille Donnisulana with the group, for a recital of polyphony and interpret the work of Iannis Zénakis A Helena.
In 1989, she plays and sings in the first Corsican musical, "A Pruvatoghja of Mighell Raffaelli theater Bastia. She will then meet in meetings, the traditional sacred songs through variety, jazz and classical. She was invited to sing as well by Jacques Higelin for a show at the Grand Rex in Paris and at the Cirque d'hiver, by Marcel Peres with all Organum or the group Polyphony Tavagna.

Jacky Micaelli is lending her voice to the directory as sacred to the profane with the same passion, the same truth.
From 1990 to 1992 makes it a national tour with the dance company Balmuz under "Mossa" recital of songs and dances Patarozzi Jacques. In 1991, his interpretation at the Film Festival and Mediterranean Cultures of Bastia, the cantata for a woman's voice, "A matria", reveals a new facet of his talent.
In 1992, starts with a large group Donnisulana international tour that sees Jacky sing in Texas, Japan and throughout Europe.

It met in 1995 Yuki Yamamoto and the group of "songs of Okinawa," a prelude to a second trip in Japan. In 1996, she sings and plays in "A plague", an adaptation of "plague" of Camus by Jean-Pierre Lanfranchi
This year 1996 is marked by the release of his first solo CD Corsica Sacra "receiving awards as prestigious as the Grand Prix du Disque de l'Académie Charles Cros, the Choc du Monde de la Musique and Diapason d'Or . A tour follows the release of this disc.

The year 2000 saw the interpretation of the cantata "Corsica" by Jean Paul Poletti.
In Japan, where she conducts a tour, she sings with Kazumi Watanabe, Japanese jazz guitarist.
In May 2001, she published her second CD "Amoresca" trip in the Mediterranean area where it meets the Blues and Sodade, while his own soul Corsica. This disc is dedicated to his father "The man who listened to my song, hands crossed, without words, without noise. Her blue eyes told me then: ... sing, sing again ... "
In the continuity of the Mediterranean meeting, Jacky is becoming a pioneer of Corsican singing in the young group Rassegna. It brings the generosity that characterizes his sensitivity, his encouragement through the sharing of flamenco and polyphony. She left the group in late 2002 while continuing to enhance the artistic process.
The year 2004 is the year of birth art largely due to its third CD "Fiamma"
A work of craftsmanship around arrangements jean etienne Langianni. The trio was born FIAMMA over the concerts, real moments of magic, both the spiritual dimension is strong ... ... live.
In 2005 the double album "Ti Ricordi with André Jaume, Jean-Etienne Langianni, artistic director, and guitarist, Jacky Micaelli we book a range of emotions so strong and varied as we travel through time and space .... between past, present and dream around the Corsican songs that have rocked the collective memory of everyone.
and a creation for 2006/2007 is underway ...
"Stella Matutina" ... the latest creation produced by U Ponticellu and uniting the talents of Jacky and Jean-Etienne Langianni. This creation consists of songs to the Virgin, according to a tradition in Corsica. Jacky sings a part in 'short mass', accompanied in some parts by some trainees who have been through the work of transmission followed for years, dealing a directory associated with a sacred spiritual search, in the footsteps of the two artists.
Jacky Micaelli and Jean Etienne Langianni run together since 2004 regular courses with the Corsican polyphony U Ponticellu association, a transmission that has gained momentum in 2007 because artists have led two master-class in April and July that have followed by a tour Castagniccia. This tour was an opportunity to demonstrate the practice of a transmission that combines tradition and creation. Stella Matutina The show will be recorded in 2008.

If the year 2007 was particularly marked by its musical presence in Corsica, meeting today will lead to new ways of the world.
Since 2007, Jacky Micaelli with the company UPonticellu courses has increased by placing the transmission in the heart of its objectives: "The tradition is alive transmission: it requires an update, something creative. This contribution will have to respect the spirit of tradition, which spirit is an absolute that transcends time. By appropriating the tradition, its tradition, the disciple took place in a long chain which is a ring from a bunch of before and after him. Traditional music, ie oral, contain a sap coming from the depths of time, only the floor, the sound, so the oral culture, communicate the spiritual essence. It preserves the living, moving from tradition. Initiation through which it transmits requires direct contact from person to person so that the spiritual influence is inseparable from any initiation.
The tradition is first memory, our roots are strong, our center of gravity. What are we without the memory of our origins? The man is condemned to spiritual death if he cut the link of tradition, tradition. The music holds it to his memory. These are the musical traditions, she lives in and through the oral tradition. "
In 2008, Jacky led the art project "Stella Matutina", at two residences one to the other Marignana couvent Corbara, leading to recording a new cd. This new album is sung by the new set of polyphony Ponticellu U, formed by the singer over the different masters. The album will be recorded in the convent Corbara, Balagne inApril in 2009, but the group has already had the pleasure to present this repertoire of songs to the Virgin Festival at Lorrach in November 2008. (see articles in the press kit)